Selasa, 14 Februari 2012

[Y811.Ebook] PDF Download Mind the Gaffe!: A Troubleshooter's Guide to English Style and Usage, by R. L. Trask

PDF Download Mind the Gaffe!: A Troubleshooter's Guide to English Style and Usage, by R. L. Trask

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Mind the Gaffe!: A Troubleshooter's Guide to English Style and Usage, by R. L. Trask

Mind the Gaffe!: A Troubleshooter's Guide to English Style and Usage, by R. L. Trask



Mind the Gaffe!: A Troubleshooter's Guide to English Style and Usage, by R. L. Trask

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Mind the Gaffe!: A Troubleshooter's Guide to English Style and Usage, by R. L. Trask

A linguist with attitude, R. L. Trask was a steadfast soldier in the never-ending War of Words, fighting the good fight for standard written English. Revered for its insight and legendary for its "cheek," Trask's Mind the Gaffe! is an indispensable guidebook for wordsmiths and language mavens of every stripe, providing safe passage through the ubiquitous minefields of improper usage.

  • Artiste: This pretentious word . . . commonly means "fraud pretending to be an artist." Don't use it unless you mean to be insulting.

  • Amoral, Immoral: An amoral person is one who does not know the difference between right and wrong. An immoral person knows the difference but does wrong anyway.

  • Reaction: A reaction is a sudden and spontaneous response to a stimulus, such as jumping, shrieking, or fainting. The word is not properly used as a fancy word for any kind of considered response. If you circulate a policy document, you can ask others for their opinions, or for their criticisms, but do not ask them for their reactions unless you hope to hear responses like "I burst into uncontrollable laughter."

  • Sales Rank: #2177077 in Books
  • Published on: 2006-11-21
  • Released on: 2006-11-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .73" w x 5.31" l, .53 pounds
  • Binding: Paperback
  • 320 pages

From Booklist
Like Lynne Truss in her best-selling Eats, Shoots & Leaves (2004), the late Trask, an American linguist who relocated to England in 1970, brings an irreverent, opinionated sensibility to his usage handbook. Arranged in alphabetical order, the entries in this style guide cover the gamut of common lapses in the use of standard English in lively, candid language. In addition to defining the difference betweenaffect and effect and knowing when to use who and whom, Trask offers this opinion on the termfeminism: "so much sludge now appears in print, littered with invocations of 'herstory,' 'the Goddess,' and 'feminist science,' . . . that real feminism is in danger of being submerged." Trask has also taken it as his mission to confront the "jargon-ridden, buzzword--laden, content-free writing" that surrounds us in the form of junk mail, fawning celebrity pieces, and "New Age dross." Some readers may regard Trask's opinions as maddening, whereas others will find them refreshing, but there's sure to be agreement that this handy guide is thought-provoking. Joanne Wilkinson
Copyright © American Library Association. All rights reserved

About the Author

One of the most celebrated linguists of his time, R. L. Trask was a brilliant lecturer and the author of many popular works, including The Penguin Guide to Punctuation and The Penguin Dictionary of English Grammar. Born in New York State in 1944, he lived in England after 1970, and was Professor of Linguistics at the University of Sussex until his death in 2004.

Most helpful customer reviews

9 of 9 people found the following review helpful.
Strong opinions
By ThirdShift
I don't know why this printing also appears as "Say What You Mean!" by the same author, the content and layout is identical.

Do you know the difference between "deism" and "theism"? Or "logogram" and "ideogram"? Do you know the proper use of "comprise", "consist", "compose", and "constitute"? Linguist and professor Trask lays it out for you. If she had read this book, Octopussy would have said, "My father became a leading authority on OCTOPUSES." Not "octopi." If they had read this book, a major advertising company would not have written me asking if I was "interested or disinterested" in their product.

Arranged like a dictionary, here are 288 pages of the most misunderstood, misused, abused words in English. Trask also throws in a handful of style and usage guide, making this book useful to have at arm's reach. However, a minor quibble. The author has strong opinions on post-modernist writing in general, and some words specifically. Woe if you should use "hegemonic", "hermeneutic" or "non-linear" in your writing because it marks you immediately as a content-free post-mod moron. Trask may be on to something here, but I'm not sure opinions belong in a book such as this. Take another example, if you use the word "permissiveness", I quote here verbatim: " ... you're obviously fulminating about something. Maybe you should calm down." In the author's world, you don't make mistake in writing, you commit "blunders", you create "howlers", you appear "illiterate", your writing appears "idiotic" and you will be "immediately dismissed" by your readers for writting "nonsense."

This is the book form of a semester study with a smart, eccentric, curmudgeon-ly but beloved writing prof. If Trask weren't so saltily opinionated, the book wouldn't have been so fun to read, or stuck with me long after I read it. For that I suppose I could forget the quibble. There is one glaring error under the entry "Vietnamese Names", though. Trask got it backward, Vietnamese write their surname first. This shocking error is delivered with the same cocksure attitude about everything the author cares to opine on throughout the book making me wonder what else he's so certain about that's wrong.

I highly recommend this book, either to augment your style guides or to thumb through once in a while and make notes to yourself. There is one word which I have misspelled for years, "restaurateur" is correct, not "restauranteur." Professor Trask died in 2004, but I hope someone takes up this book and publish a second edition.

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